Audio Formats: WAV, MP3, FLAC, AAC — Which Should You Use for Mastering?
Audio Formats: WAV, MP3, FLAC, AAC — Which Should You Choose?
Overview of audio formats
Lossless
| Format | Compression | Quality | File size |
|---|---|---|---|
| WAV | None | Perfect | Large |
| FLAC | Yes (lossless) | Perfect | Medium |
| AIFF | None | Perfect | Large |
Lossy
| Format | Compression | Quality | File size |
|---|---|---|---|
| MP3 | Yes (lossy) | Good | Small |
| AAC | Yes (lossy) | Better than MP3 | Small |
| Opus | Yes (lossy) | Best | Smallest |
WAV: the studio standard
What is it?
WAV (Waveform Audio File Format) is an uncompressed format and the standard in studio recording.
Parameters
- Bit depth: 16-bit (CD), 24-bit (studio), 32-bit float (processing)
- Sample rate: 44.1 kHz (CD), 48 kHz (video), 96 kHz (Hi-Res)
- Channels: mono, stereo, multichannel
When to use it
- ✅ Recording and processing in a DAW
- ✅ Mastering and mixing
- ✅ Uploading to a distributor (16-bit, 44.1 kHz)
- ❌ Casual listening (file size is too large)
FLAC: the ideal balance
What is it?
FLAC (Free Lossless Audio Codec) is lossless compression. Quality is identical to WAV, but the file is 2–3 times smaller.
Advantages
- Lossless — perfect quality
- Metadata — supports tags (title, artist, cover art)
- Open format — free, no licensing
When to use it
- ✅ Archival music storage
- ✅ Uploading to a distributor (an alternative to WAV)
- ✅ Hi-Res audio (24-bit, 96 kHz)
- ❌ Some players don't support it
MP3: the universal format
What is it?
MP3 (MPEG-1 Audio Layer 3) is the most widely used lossy compression format.
Bitrates
| Bitrate | Quality | Use case |
|---|---|---|
| 128 kbps | Basic | Podcasts, speech |
| 192 kbps | Good | Everyday listening |
| 256 kbps | Excellent | Music |
| 320 kbps | Maximum | Critical listening |
When to use it
- ✅ Listening on any device
- ✅ Podcasts and spoken-word content
- ❌ Mastering (re-compression degrades quality)
- ❌ Uploading to a distributor
AAC: the successor to MP3
What is it?
AAC (Advanced Audio Coding) was developed as a replacement for MP3. It delivers better quality at the same bitrate.
Where it's used
- Apple Music — the primary format
- YouTube — AAC for video
- Spotify — Ogg Vorbis (a similar algorithm)
When to use it
- ✅ Exporting for Apple/iTunes
- ✅ Video content (YouTube)
- ❌ Mastering (use WAV/FLAC instead)
Opus: the best lossy format
What is it?
Opus is a modern compression format that performs best at low bitrates.
Advantages
- Best quality at 64–192 kbps
- Low latency — ideal for streaming
- Open format — free
When to use it
- ✅ Streaming and VoIP
- ✅ Web applications
- ❌ Not all players support it
What should you use for mastering?
Uploading to a distributor
Format: WAV 16-bit, 44.1 kHz
Or: FLAC 16-bit, 44.1 kHz
Listening
At home: FLAC or WAV 24-bit
On the go: MP3 320kbps or AAC 256kbps
On headphones: AAC 256kbps (Apple) or Ogg 320kbps (Spotify)
Podcast
Export: MP3 128kbps (mono) or 192kbps (stereo)
Upload: WAV 16-bit (the distributor will transcode)
Archive
FLAC 24-bit, 96 kHz (Hi-Res)
Or: WAV 24-bit, 48 kHz
Bit depth: 16 vs. 24 vs. 32-bit
16-bit (CD quality)
- Dynamic range: 96 dB
- Sufficient for: the final master
- Quantization noise: audible during quiet passages
24-bit (studio standard)
- Dynamic range: 144 dB
- Sufficient for: recording, mixing, mastering
- Quantization noise: inaudible
32-bit float (processing)
- Dynamic range: ~1500 dB
- Used for: internal processing inside a DAW
- Advantage: clipping during processing is essentially impossible
Sample rate: 44.1 vs. 48 vs. 96 kHz
44.1 kHz (CD standard)
- Nyquist frequency: 22.05 kHz
- Sufficient for: music (audible range 20 Hz–20 kHz)
48 kHz (video standard)
- Nyquist frequency: 24 kHz
- Used for: video, film, TV
96 kHz (Hi-Res)
- Nyquist frequency: 48 kHz
- Advantage: cleaner processing (less aliasing)
- Size: 2x larger than 48 kHz
Magic Master's recommendations
Magic Master supports all major formats:
| Format | Export | Bitrate |
|---|---|---|
| WAV | 16-bit, 44.1 kHz | — |
| FLAC | 24-bit, 44.1 kHz | — |
| MP3 | 16-bit → MP3 | 128/192/256/320 kbps |
| AAC | 16-bit → M4A | 192 kbps |
| Opus | 16-bit → Opus | 128/192 kbps |
Dithering: TPDF or noise-shaped (E-weighted) for 16-bit exports.
Try exporting in any format: magicmaster.pro/app
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